April 9, 5-10pm
Join the Duncan McClellan Gallery for the opening of “Form not Function”, featuring glass art works by Czech born Martin Rosol and Seattle’s Benjamin Cobb.
Both Cobb and Rosol explore light and color through the medium of blown and optical glass.
Martin Rosol came to the United States in 1988 to pursue his career as a sculptor, a path unavailable to him in Czechoslovakia before Vaclav Havel and the Velvet Revolution transformed the country.
Rosol, like many Czech glassworkers, learned his trade in a company school set up to train craftsmen to execute limited edition designs for art glass manufacturers. Though the arrangement provided employment for many, it did not provide young artists with the degree required by the old regime to sell art. So Rosol, who had been designing and making sculptures while working in a glass factory, shipped his work out of the country. Before long, his sculptures were being exhibited in Europe and United States, and in 1981 he was awarded the Bavarian State Prize for Glass Sculpture in Munich. In 1986 he left Czechoslovakia for Austria and two years later came to the United States.
All of Rosol’s sculptures are made with several pieces precisely cut from blocks of crystal and constructed in architectural form after selected surfaces have been sandblasted. The range of translucence and the varied reflective surfaces, the clarity of crystal, and the icy gloss of sand-textured glass all create enclosed spaces within the polished structures. With their architectural forms designed to receive and contain illumination, they are indeed monuments to the light.
Rosol, like many Czech glassworkers, learned his trade in a company school set up to train craftsmen to execute limited edition designs for art glass manufacturers. Though the arrangement provided employment for many, it did not provide young artists with the degree required by the old regime to sell art. So Rosol, who had been designing and making sculptures while working in a glass factory, shipped his work out of the country. Before long, his sculptures were being exhibited in Europe and United States, and in 1981 he was awarded the Bavarian State Prize for Glass Sculpture in Munich. In 1986 he left Czechoslovakia for Austria and two years later came to the United States.
All of Rosol’s sculptures are made with several pieces precisely cut from blocks of crystal and constructed in architectural form after selected surfaces have been sandblasted. The range of translucence and the varied reflective surfaces, the clarity of crystal, and the icy gloss of sand-textured glass all create enclosed spaces within the polished structures. With their architectural forms designed to receive and contain illumination, they are indeed monuments to the light.
“I love to work with my hands. I started working with glass as a teenager, and have been at it ever
since. Glass is a material that can be both transparent and opaque. I find this intriguing, and aim to use these distinct properties when creating work. I have always been intrigued by science; this is where I pull my interest and inspiration. Natural forms, biology, and botany, from cellular forms to shapes and proportions of people; all of these things inspire what I make. I focus on creating unique objects that are abstract, modern interpretations of natural forms.”
Education.
since. Glass is a material that can be both transparent and opaque. I find this intriguing, and aim to use these distinct properties when creating work. I have always been intrigued by science; this is where I pull my interest and inspiration. Natural forms, biology, and botany, from cellular forms to shapes and proportions of people; all of these things inspire what I make. I focus on creating unique objects that are abstract, modern interpretations of natural forms.”
Education.
Doors open at 5pm, and Cobb will give a free glassblowing demonstration beginning at 6:15pm.
A cash bar benefiting the DMG School Project (an educational 501c3) and gourmet food truck will be on property.
Admission is free and open to the public.
The exhibit runs from April 9-May 9, 2016.
The Henry Ashwood Jazz Project will perform from 8-10pm.
