Raven Skyriver & Kelly O’Dell
March 9 - July 31
KELLY O’DELL
When she was a year old, in 1974, Kelly O’Dell’s family moved from Seattle to the Big Island of Hawai’i. Growing up in one of the most culturally and biologically diverse regions in the world, her upbringing was in a volcanic paradise struggling with a legacy of colonialism. Her childhood steeped in an endless summer, she swam with glass-bottom boats and dove for coins tossed by their tourists. Kelly’s artistic parents had an art studio in Kealakekua-Kona, and made their living using stained glass, blown glass, and pressed flowers. With interests in Oceanography, Astronomy and Math, Kelly chose Glass as her primary focus at the University of Hawai’i at Manoa. The program offered her many opportunities to study and work at Pilchuck Glass School in Stanwood, WA, and she eventually relocated there as a member of the William Morris Winter Crew. Influenced by this talented team of artists and by her island upbringing, O’Dell’s work mainly examines species extinction and conservation, and human impact on the natural world. She has recently returned to island life, residing on Lopez Island, WA with her husband Raven Skyriver and their 12 year-old son Wren.
Recent solo exhibitions include the Museum of Northwest Art and the Pittsburgh Glass Center. Recent group exhibitions include the Wadsworth Atheneum, the Whatcom Museum, Tacoma Museum of Glass, the Fuller Craft Museum, and The Glasmuseum Lette of Coesfeld, Germany. Collections include the Tacoma Museum of Glass Permanent Collection, the Kamm Teapot Foundation, the Washington State Art Collection, the Robert M. Minkoff Foundation, and the Glasmuseum Lette Collection.
RAVEN SKYRIVER
Born in 1982, Raven Skyriver started blowing glass in high school at the age of sixteen. Raven’s mentor, Lark Dalton, taught him how to build glass blowing equipment and trained him in Venetian technique; this enabled Raven to build his own workshop. Soon thereafter, Raven joined the William Morris team at Karen Willenbrink-Johnsen’s request. There he worked for the following seven years, learning sculptural glass. Since William Morris’s retirement, Raven has continued to focus in the area of sculpture. His depiction of marine life is inspired by his island upbringing and informed by the creatures that inhabit this fragile ecosystem.
